Category Archives: Behind the Shot

The story behind the making of a photograph.

Vision, persistence and putting them together in photography

When I moved to where I live now five years ago, I started scouting areas to see what interesting places I could find in my area that would be good to explore for some black and white photographs. Many day trips to small towns, restaurants, museums and hikes in the woods. So far, I have found some great communities, not as many great places to eat and a few hidden spots in the woods.

One particular spot isn’t far from my home. It’s only 11 miles away so it was one of the first places I discovered that I wanted to photograph. It is a waterfall tucked back into a bluff feeding into the Saint Croix River. I am a sucker for a good black and white waterfall photograph.

However, it was late summer when I came across the location. The water of the spring fed stream was low and barely flowing at a trickle. It had potential but wasn’t what it could be if it were early summer or spring. I made a note of it and thought I would return the next season.

The next season I returned in spring, but the area was experiencing drought conditions. I returned a few times that spring and early summer, but I struck out getting the photograph I had hoped to. “Next year”, I said.

The following spring there was more than average snow melt and rain. I thought “all right! this should be a great year for the water flow” I packed up my gear with great expectations. When I arrived at the trail head, which was along a larger riverbank, the whole trail was under feet of water. Strike two.

“Flow” Mamiya 645, 80mm lens, Kentmere 100 © 2025 Derek Lofgreen, All Rights Reserved

This year, I was more determined than excited to try and get this shot. I was expecting it to be low flow again, but I had to see for sure. I had an hour to spare in between some commitments, and I was in the area. I had packed my camera with hopes I could take a quick look and maybe get a grab shot and return if it was looking good.

It is a 15-minute hike to these falls from the trail head. That meant I only had 30 minutes on location to find a composition and take my shot. As I started to round the bend to the falls, I could hear something but didn’t know if it was traffic on a nearby road or the water over the falls. When I arrived at the location, low and behold, the water was flowing beautifully.

The scene below the falls was a lot more chaotic than I remembered from the last time I was there. Holding a lot of debris that had gathered after coming over the fall from the winter thaw. This presented another obstacle to my preconceived vision of the shot. Scrambling over deadfall trees, logs and forest chowder, I scouted around for a composition and set up my shot. I only had time for one set up and I wanted it to count.

I could have let the obstacles stop me from executing on my creative vision. The conditions not being right over and over, the limited time I had when I found the right conditions and the challenge of finding a composition when the location looked different than I expected. Many times, I find myself pushing through to overcome disappointment or challenge to get my final vision manifested in a photograph.

I will return to this spot because now that I have this image, I am more intrigued with the location and want to see what other compositions I can find that will convey the calmness of the flowing water.


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Color When Color Matters

Autumn is when I get my eye for color

I love black and white photographs, it really gets my motor running. But… there is a time for color photography, and autumn is one of those times. Each year I start to look at the trees changing colors and enjoy the subtle and dramatic changes that happen day to day. The cool, dryer days with the sun hitting your skin while walking in the rustle of leaves at your feet is such a magical experience.

Monochrome images just can’t capture and convey the emotions of autumn in my view. Fall is the time for color imagery. Of course when shooting with color and fall woodland it presents new challenges for making meaningful photographs.

Color itself is a whole different disciple from monochrome. Black and white photographs are already one step removed from reality, making it easier to create images that evoke emotions, memories and feelings. Color on the other hand, puts you in a box of sorts. It’s really easy with today’s digital processing tools to go way overboard, creating images that don’t look plausible. My work depends on the image to be real (ish), not a entirely a fiction but something someone may have been able to see, feel and experience themselves. At the same time having an new experience with my image.

Maple and birch trees showing their last throws of fall color.

Then there is the challenge of capturing something from the chaos of the woodland. Oh my goodness is that hard… I have my hero’s in the woodland landscape discipline and have learned a few tips. However, nothing prepares you for how hard it is to get a good clean image that tells a story or strikes an emotional chord in a woodland. There is so much chowder everywhere you look in the forest. I think I have 3 images total that I like since I have been trying to capture the magic of the forest. Countless failures.

The image in this post was literally the last one I took on a recent outing to the forest. I was failing miserably and headed for the car. Off in the middle distance I saw this maple and birch intertwined together in the last display of color for a large portion of this woodland. I chose my 300mm lens so I could reach out and isolate the trees. With the light being really low due to fog and clouds, and wanting to focus the viewers attention to the trees, I chose a faster aperture than I may have for another landscape. This worked well with the longer lens and I was pretty happy with the results.

Woodland Photo Tips

If you want to try some woodland photography here are a few tips I use. Note: your mileage may vary

  • Edit your composition. Keep only what is necessary in the frame
  • Use longer focal length lenses OR get closer with wide lenses
  • Eliminate the sky whenever possible
  • Find compositions where there is a hillside or thick forest in the background
  • Get low or get high, normal viewing height rarely works
  • Shoot when fog is present for separation from your subject if possible
  • Avoid sunny conditions. Bad weather makes for better woodland photos

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Exceeding Expectations

Creating a better photograph than you intended

Just a few days ago I had visualized a photograph that I wanted to make. I could see it in my head. I knew exactly what I wanted to achieve. However, that can be a problem. I find when I have a specific vision in my head before I go out to shoot I end up limiting myself or if it doesn’t work out I just get disappointed.

I knew the weather was going to cooperate the evening I made this photograph. For the last few weeks it was either pouring rain with flat gray skies or totally sunny with cloudless skies. On this day it was a nice calm, sunny but some clouds floating by. Just what I was waiting for.

I live by a lake, like so many Minnesotans, and spend half my life driving around it to get anywhere. There is one particular spot that has an older wooden dock that looks very peaceful and I look at it every time go to the other side of the lake. I pre -visualized a long exposure with the dock reaching out over calm flat water and a nice graduated sky with some clouds floating by.

Fishing with Dad

The shoot

The evening approached and I grabbed my gear with excitement and anticipation of “the shot” I was going to make. It is just a short 2 minute drive to the spot I wanted. As I drove up I saw a two people out on the dock! What!? There is never anyone out on this old rickety thing… Sure enough, that very evening a father decided to take his son fishing on the exact same dock I wanted to shoot.

I could have said, “okay, that’s it. I’ll come back another day”. Instead, I pushed passed my expectations, parked the car and grabbed my gear. “They might be almost ready to leave” I told myself. They weren’t. I decided to just go with it. Accept what was given to me and make the best of it.

I introduced myself, had a little chat with the fishermen and set up my tripod and camera. I took my time, metering for the light and finding my composition. At the same time they kept fishing, moving around the dock with each cast. I made several long exposures and came away with some really interesting photographs but there is one that really spoke to me.

I could never have imagined this photo from where my pre-visualization in my head was. I had that image set in my mind as my goal. The resulting photograph that I have from that outing is much more powerful. I was really happy I pushed my expectations aside and just went with it.


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If you like the content I post here on the blog then maybe you will be interested in my email newsletter. I send them out with other news, thoughts and tips on photography as well special print offers. Add your email in the form below. You can unsubscribe anytime, you won’t hurt my feelings.