Last January, while is was planning my trip to Australia, I was really looking forward to some great opportunities to photograph the opera house in Sydney. In one of my previous posts about being prepared to photograph while traveling I talked about how I tried to plan and be prepared to photograph the opera house during a fireworks display. Needless to say it didn’t work out as well as I had hoped. I was in luck though, I had a few other ideas in mind for photographing the opera house and a few days to get it done.
The opera house is one of those famous landmarks that is photographed all the time. Thousands of people take photos of it. Because the vantage points available to shoot the opera house are limited, many of the photos look the same. I wanted to capture my vision of the opera house, not just the same photo everyone else had. Don’t get me wrong, there are a lot of fantastic photos of it, but I wanted to look hard for something different. Something that was mine.
With several days to make my photos, I was able to watch how the light moved throughout the day. I could follow the weather to see how it would change the scene. I got a pretty good sense of the rhythm of the harbor while I was there. Armed with my observations I knew a distinct image would come down to composition.
I always edit my composition in the view finder. Simplify, simplify, simplify. Making sure there is nothing in the composition that did not need to be, is always my goal. I loath cropping my images. For a wide angle shot I had to wait for many of the boats to move clear of my composition. Using a long exposure made for an exercise in patience. Composing for simple lines that create a restful image, is another thing I always try to achieve. Thanks to a great coastal line and the fantastic architecture it wasn’t hard to see for the opera house.
Changing up the composition a bit, I wanted to get the pattern and lines of the architecture of the building itself. Almost an abstract view of the opera house. Maybe this isn’t a very original image but the haze in the air made the sky turn to a creamy white that complemented the white rooftops of the opera house. This high key image removes any distraction and lets the viewer focus on the repetitive nature of the lines in the architecture. Repetition in design.
Overall I am really pleased with the images I was able to create from this trip. There were many that didn’t make the cut but a handful of them are real keepers.
I have been busy planning my solo exhibit at the Fuzzy Antler in Louisville, CO. on December, 5th. If you are looking for something to do on a Saturday night then you found it! Come on by have some wine, visit with me and take a look at some of my new work and grab some dinner at one of the great Louisville restaraunts.
If you are looking for a unique holiday gift, one of my black and white photographs may be the perfect fit for a friend or family member. I hope you can make some time to come out and say hi.
I am excited to announce that I will be having a solo show during the Louisville, CO Friday night art walk. I will be showing some of my prints at the Fuzzy Antler on Friday December 2nd. I hope you all of my readers will be able to come and hang out, drink some wine and look at some of my prints. While I was going through my images to choose the ones I will include in the show I came across an negative that I put on the back burner and then forgot about.
The reason this image jumped out at me recently is because it is so simple. The amazing thing about black and white photography is how images get more powerful the simpler they become. When you start striping away all of the unnecessary pieces that fall into your viewfinder the more exciting it gets. Then, once you have only the pieces you want and nothing more is when that magic happens and the shutter is tripped. Stripping an image down to its bare essentials, keeping it simple, will always result in a powerful image. Give it a try.
I love black and white photographs as an art form. I think there are few strong reasons a monochrome photograph can be considered more “artistic” than a color photograph. I’m not saying that a color photograph is not artistic, compared to black and white photographs. There are a lot of amazing color photographs that I would love to hang in my home but there are a few things that black and white photography does easily that color can not.
From the time a photographer trips the sutter release (if he/she is shooting BW film or a monochrome digital camera) the image is already an abstraction of the reality the photographer was photographing. Changing a scene or portrait from color to shades of gray makes our mind think differently about the image before us. It is an image of reality, a real thing we are familiar with, but its not real at the same time, because the color is stripped away.
We don’t see the real world in black and white so subconsciously our mind is telling us its not real, but something representing reality. Much like an impressionistic painting or a loose sculpture that makes our brain fill in the spaces, a black and white photograph makes us imagine what is missing.
You may hear others, that are passionate about black and white photography, comment on how black and white photos have a “timeless” quality to them. By removing the color from the image it also removes the visual queue that our minds use to give us a reference in time. Colors used in fashion and home decorating change every year. A good monochrome image will remove all of the distractions that color introduces letting the viewer focus on the subject rather than on all of the other items a color image would present.
In this image of the motorcycle rider passing by at speed you really can’t tell if it was shot last week or 40 years ago. With the rider wearing pretty basic riding gear and no other frame of reference to when it was taken gives it a timeless quality.
It’s Only About The Light
Unlike color photographs, a monochrome photographer can control what the light is doing in the final image. In a color image if you burn down an area too much it just looks like that part if the image is under exposed. In a black and white photograph burning and dodging bring up the high lights and ads shadows where there were none. It really gives the artist tools to add drama to a monochrome image that is really hard to achieve with a color image.
In the image Among Giants, I saw an opportunity to capture a scene that had pretty flat light but I could manipulate the image in the dark room while I printed it, making it appear as if a ray of light was highlighting this little tree among the larger ones in the forest. This allowed me to have a vision for the the final print that takes it beyond a reproduction of the reality in front of the lens.